The Woman In Cabin 10 has plenty going on, and yet it’s a tightly written film that doesn’t overstay its welcome or rely on its mystery dragging out to keep us hooked. It knows its audience, knows it’s easy to grow tired of watching Laura, or Lo as people call her (Keira Knightley) — an investigative journalist who’s been tasked with covering the maiden voyage of a luxury yacht — be gaslit by every character in the film before needing to move on.
The Woman In Cabin 10 Review: Keira Knightley Leads A Compelling Psychological Horror That Doesn’t Go Overboard
